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The narration, which isn’t as somber and self serious as the subject matter would suggest, notes that Watanabe is hardly alive at present anyways.
Kurosawa, unlike Ozu perhaps, isn’t content to dwell on Watanabe at present.
The narration even notes that it would be tiresome to spend time with him now. After the female employee of the bureaucracy (Miki Odagiri) relates a funny joke about a worker who won’t take a vacation because he’s afraid he won’t be missed, Kurosawa quickly cuts away to a series of scenes of poor mothers who want a cesspool converted into a park.
The women are given the runaround by the Tokyo bureaucracy who send them from department to department until they wind up back where they started.
They berate the bureaucrats, but it gets them nowhere due to institutional indifference.